
Zig Zag See-Thru Crepe Top
- Semi-sheer lightweight crepe construction
- Signature zig zag pleated texture
- Asymmetrical draped hemline
- Short sleeves with gathered detailing
- Round neckline
- Oversized relaxed fit
- Japanese innovative fabric technology
me ISSEY MIYAKE Zig Zag See-Thru Crepe Top delivers innovative textile construction with architectural draping and avant-garde silhouette. Crafted from lightweight pleated crepe with semi-sheer finish, featuring the brand's signature diagonal textural patterns and asymmetrical hemline. The innovative fabric manipulation and dramatic volume create a sculptural statement piece that embodies ISSEY MIYAKE's experimental design philosophy.
- Semi-sheer lightweight crepe construction
- Signature zig zag pleated texture
- Asymmetrical draped hemline
- Short sleeves with gathered detailing
- Round neckline
- Oversized relaxed fit
- Japanese innovative fabric technology
me ISSEY MIYAKE Zig Zag See-Thru Crepe Top delivers innovative textile construction with architectural draping and avant-garde silhouette. Crafted from lightweight pleated crepe with semi-sheer finish, featuring the brand's signature diagonal textural patterns and asymmetrical hemline. The innovative fabric manipulation and dramatic volume create a sculptural statement piece that embodies ISSEY MIYAKE's experimental design philosophy.
Description
- Semi-sheer lightweight crepe construction
- Signature zig zag pleated texture
- Asymmetrical draped hemline
- Short sleeves with gathered detailing
- Round neckline
- Oversized relaxed fit
- Japanese innovative fabric technology
me ISSEY MIYAKE Zig Zag See-Thru Crepe Top delivers innovative textile construction with architectural draping and avant-garde silhouette. Crafted from lightweight pleated crepe with semi-sheer finish, featuring the brand's signature diagonal textural patterns and asymmetrical hemline. The innovative fabric manipulation and dramatic volume create a sculptural statement piece that embodies ISSEY MIYAKE's experimental design philosophy.























